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Interchange,

Untitled,

Title TBC,

Portrait Mode [Frieze London #02],

Portrait Mode (Frieze London #02) is a distorted assemblage of found clothing, so tightly pressed under glass that the garments lose their original identities and are instead transformed into prismatic abstractions of varying human- made animal prints. By blurring cultural markers, Beier’s work hovers between the tradition of historical landscape painting and the pixelated flatness […]

Untitled,

Chris Martin’s Untitled evokes a vastness that can be found in both the star-lined night sky or an endlessly stretched midnight highway. Such locational duplicity is reflective of the artist himself, who, though a long-time fixture of the New York City art scene, has a lifelong relationship with the rural Catskill mountains. A Yale dropout […]

Merak,

Deeply concerned with the physicality of form and how it affects the viewer, Lynda Benglis uses a wide range of materials to render impressions of mass and surface. Though essentially abstract, her sculptures are at once industrial and organic, cerebral and physical, elegant and kitsch. The appearance of Merak changes radically with each angle; from […]

Untitled #3,

Agnes Martin was one of the most influential artists of her generation who is associated with the minimalist movement. Untitled #3, painted in bands of low-saturated chalky color, evokes the arid climate and abundant sunshine of New Mexico where Martin spent most of her life. The painting’s bands of pastel color establish the horizontal axis […]

Nine Planets in the Dark House,

Indian Country,

Taking inspiration from Color Field painters of the 1960s, minimalism, and the jazz improvisation of Ornette Coleman, Stanley Whitney constructs his painterly grids of color by way of a “call and response,” in which one color suggests the next. This process—recalling that of Ellsworth Kelly, for whom chance and optical phenomena determined compositional structure—injects the […]

Sunny Wall with Hidden Door,